Cinderella absolutely wins in romantic ballroom scenes, which deserves to be in the conversation of Branagh’s best work.
I feel the urgent need to declare that predictability can be a result of foreshadowing (when executed and viewed correctly) and when it is, it’s a beautiful experience.
The only reason why Moana gets an A and Brave gets an A- is because you know how I feel about musicals.
Onward registers more as a Movie! than a *~*PiXaR*~* movie.
Bank heists, corrupt cops, ultra-masculinity, neck tattoos, and 50 Cent.
John’s back! And of course, the issue on the table upon his return: Hamilton.
Confession: I’ve never seen Groundhog Day.
Remember when I said I’d watch any musical? Yup. That’s right. I did this to myself.
Autoplay has come in handy when there is nothing else to do: Community, Westworld, Jeffrey Epstein: Filthy Rich, McMillions, Tiger King, When They See Us, Waco, The Last Dance, and What We Do in the Shadows!
Hamilton is THE great work of the past decade and perhaps of the century that will transcend far beyond its mere existence on stage.