Summaries that make people react with a “What the actual hell?” should fulfill the expectations of absurdity.
It doesn’t really take the whole sleuthing thing to the level I was hoping for.
Late with the Chadwick Boseman tribute, but trust me- we’ve been mourning over here.
Cinderella absolutely wins in romantic ballroom scenes, which deserves to be in the conversation of Branagh’s best work.
I feel the urgent need to declare that predictability can be a result of foreshadowing (when executed and viewed correctly) and when it is, it’s a beautiful experience.
The only reason why Moana gets an A and Brave gets an A- is because you know how I feel about musicals.
Onward registers more as a Movie! than a *~*PiXaR*~* movie.
Bank heists, corrupt cops, ultra-masculinity, neck tattoos, and 50 Cent.
John’s back! And of course, the issue on the table upon his return: Hamilton.
Confession: I’ve never seen Groundhog Day.